Two Door Cinema Club coming to Ventura Theater. Two Door Cinema Club have announced details of their fourth studio album ‘False Alarm’, out June 14th via Prolifica Inc / PIAS.‘False Alarm’ finds the three piece gloriously unshackled and creatively at the peak of their game. Across its ten tracks ‘False Alarm’ wryly scans and satirises the social and environmental woes of 2019 through the prism of wonderfully off-kilter pop, simultaneously borrowing from and warping elements of future pop, disco, rock, funk and soul.Recent single ‘Satellite’, an infectious Krautpop-influenced slice of future pop that accepts as a species we’re “in it together” –be it Brexit, climate change or any other man-made modern day terror. Elsewhere on Two Door Cinema Club’s eagerly anticipated fourth album ‘Satisfaction Guaranteed’, ‘Nice To See You’ and ‘Once’ address our relationships with the dopamine dispenser that is social media through cheery New Romantic style funk, moody Bowie-esque art-pop and grandiose synth-pop respectively. Punk funk channeling anthem ‘Dirty Air’ has Alex prowling a ruined city’s dancefloors, posing through the ecological collapse.
Atreyu with support by Whitechapel, He Is Legend, Tempting Fate, Santa Cruz
Everyone leaves a legacy behind. No matter how big or small, our words and actions echo forever and make a lasting imprint.
Two decades since their 1999 formation in Southern California, that truth weighed heavy on the members of gold-selling metal mavericks Atreyu—Alex Varkatzas [vocals], Brandon Saller [drums/vocals], “BIG” Dan Jacobs [guitar], Travis Miguel [guitar], and Porter McKnight [bass].
Of course, their musical legacy speaks for itself. 2002’s Suicide Notes and Butterfly Kisses established them as an influential force, while 2004 follow-up The Curse sold 450,000-plus copies as the group rose to global renown. A Deathgrip on Yesterday and 2007’s Lead Sails Paper Anchor both bowed in the Top 10 of the Billboard Top 200 with the latter garnering a gold certification from the RIAA—a highly rare accomplishment for a 21st century rock band.
Following a hiatus post-Congregation of the Damned in 2009, the musicians returned firing on all cylinders with Long Live during 2015. It crashed the Top 30 of the Billboard Top 200 and earned widespread acclaim from Revolver, Loudwire, AXS, and Kerrang! who dubbed it “a hell of a return.” Along the way, the boys sold out countless headline shows in addition to sharing the stage with everyone from Slipknot and Linkin Park to Chris Cornell and Avenged Sevenfold.
As they commenced writing for their seventh full-length, In Our Wake [Spinefarm], the band posed an important question…
“What are you going to leave behind?”, asks Brandon. “We named the album In Our Wake, because a lot of the concepts address this question. There are lyrics about dealing with your own personal demons and darkness. Some of it is about our children, which his who we live directly in our wake. Others are about the general public and the outpouring of hate and fear—especially in our country. We created something of a concept record without even trying.”
“Everything we do causes a ripple or a wake,” adds Alex. “It can be positive and good, or it can be fucked up and horrible. However, we are the masters of our own destiny. We want to leave something good behind.”
Following a two-year tour cycle for Long Live, Atreyu regrouped in Southern California and started sharing ideas for what would become offering number seven. Ceremoniously, they all agreed it would be the right time to reunite with producer John Feldmann who famously helmed Lead Sails and Paper Anchor.
“Long Live was really heavy and reminiscent of our early material,” continues Brandon. “While we were on the road, fans kept asking to hear more from Lead Sails and Paper Anchor. It made us revisit that era of the band. It was a fun, experimental, and explorative time for us, which is so fun. We wanted to give ourselves and the landscape of heavy music a jolt, so we reached out to Feldmann.”